Welcome to the
Clarion Workshop

What Is the
Clarion Workshop?

About the
2008 Workshop

2008 Faculty

How to Apply

Application FAQ

Application Fee Payment

Scholarships

Clarion Alumni
& Faculty

Class of 2007

The Clarion
Foundation

Related Links

Contact
the Workshop

 
 

Clarion Circle
Members Only

   

Applying for Clarion

Applications will be accepted
January 2 - March 1, 2008

Your application, application fee, and submission stories must be received by 11:30 p.m. Pacific Time on March 1.  Applications are accepted online at www.RegOnline.com/ClarionApp2008.  Please read this page and the Application FAQ page carefully before applying.

Application Process

You will submit your application, submission stories, and application fee  through an online registration service. You will be asked for personal contact information, a brief summary of your educational background, and a few details about your writing habits and goals. You may submit a financial aid application along with your primary application if you wish.

Admission to the workshop is based on the promise of the applicant's writing at its present stage. So in addition to the completed forms, you must submit two complete short stories, each between 2,500 words and 6,000 words in length. The stories should represent your best fiction work to date.  Although skills acquired or developed at Clarion are useful in other kinds of writing, Clarion is a short-story writing workshop, so please do not send screenplays, poetry, essays, or portions of a novel. Applications are judged by a review panel composed of the current Clarion Anchor Team of instructors (for 2008, Nalo Hopkinson and Geoff Ryman), as well as the UCSD Program Director.

We highly recommend that students read something by each of the year's instructors before arriving at Clarion, so if you're serious about applying, this reading (along with preparing samples of your own work) is something you can start right away. In the words of alumnus Jerome Stueart, "I should have read the instructors' work beforehand. That would have helped me ask specific questions of these authors when I had a chance. Being able to ask them questions about their own techniques would have benefited me. It's not only what an instructor spots in two stories of yours, it's about you being a proactive writer and seeing what you like in an instructor's toolbox."

Copyright © 2007 by The Clarion Foundation
Web space and hosting donated by:  
The Literature Department at UCSD

   

2008
INSTRUCTORS

 

Kelly Link
Kelly Link

James Patrick Kelly
James Patrick Kelly

Mary Anne Mohanraj
Mary Anne Mohanraj

Neil Gaiman
Neil Gaiman

Nalo Hopkinson
Nalo Hopkinson

Geoff Ryman
Geoff Ryman